God forgive me, I interviewed Christian Louboutin while wearing a set of trainers. Not fancy sci-fi ones either, but properly old and grimy ones. Louboutin is probably the most well-known shoe designers worldwide and officially one of the most prestigious, based on independent ratings company Luxury Institute, that has named Christian Louboutin as being the most desirable shoe brand in the world within the last 3 years. He or she is also the man who is credited, or blamed, for bringing the stiletto directly into fashion. So wearing trainers to meet him is a bit like suggesting to Jamie Oliver that people meet at McDonald’s for lunch.
But – whaddyaknow – christian louboutin australia turns as much as his tiny and stiletto-filled office wearing trainers himself. (Although where mine say Converse, his say, in a discreet logo around the side, Christian Louboutin, which, presumably, would come in handy should he forget his name.)
“I look at the face first. And when I consider the face, I make an effort to view the personality and, from that, guess what sort of shoes this girl will have.”
Perhaps he was only tired. He had flown in that morning from Dubai where he is about to open his 20th boutique – with another 13 planned this year – and failed to sleep around the plane “in any way”. And once he warms up so we turn the conversation clear of strict business chat, he or she is fantastic fun, making dry remarks and after that smiling quietly afterwards. At one point I find out if, having shod pretty much every celebrity in the world, from Madonna to France’s first lady Carla Bruni, there exists anyone left he’d like as being a customer. His eyes skirt throughout the office, settling eventually on a couple of particularly high black stilettos, studded all-around with silver spikes. He turns back and replies, po-faced, “The Queen of England.”
For many years, perfume sales powered the style world. This became jeans. Now, more than ever, it’s shoes and bags, in fact it is no coincidence that Louboutin arrived from the 90s if this switch began. He, Manolo Blahnik and Jimmy Choo’s Tamara Mellon are definitely the Holy Trinity in the luxury footwear market, having helped turn shoes from something you add on your feet to protect yourself from splinters into fetish objects for females. Louboutin is currently near the top of that triangle.
Where Manolo Blahnik footwear is either plain or quirky, and Jimmy Choos hold the distinct sheen of Eurotrash for them, Christian Louboutin shoes say one particular word: se-x. Everything on them – from the disco styles, on the aggressive thrust in the shoe’s curvature, on the almost por-nographic red sole, flashing observers from behind as being the lady walks away – shouts se-x.
Seemingly every celebrity within the paparazzi sun, from Lady Gaga to Victoria Beckham, has proclaimed their love of the person. But Louboutin himself proves to possess remarkably little interest in the international celebrity scene. Was he starstruck when, say, Madonna was photographed wearing his shoes? No, he wasn’t. But he was a little excited as he found out that this first Mrs Johnny Hallyday was really a fan – “Hallyday is an important singer in France, you already know.”
Louboutin also recently received the very best honour a shoe designer can receive nowadays: his shoes should be featured from the new S-ex As Well As The City film. This is not just an important plug, but a potentially controversial one, as Manolo Blahnik shoes were this kind of mainstay of your TV series the term “Manolos” entered the lexicon. But is louboutin shoes australia excited?
He even refused to go on the Oprah Winfrey Show when she did a whole episode about how much she loves his shoes, which happens to be as near that you can arrive at being knighted in the us. “They filmed the initial area of the show in Paris and taught me to stand outside within the cold – so obviously I got sick,” he says, still outraged by the cheek of this. “So when they said, ‘Come to Chicago’ [where Winfrey films her show], I said, ‘Are you crazy? I’m sick, my God!'”
Instead, Louboutin prefers his hobbies: landscaping (there are often plant information on his shoes), trapeze (he has a swing in their studio) and, occasionally, dancing. He recently crafted a film of himself tap dancing for Simon Fuller’s fashion website, Fashionair, that is a vision of unselfconscious joy (and, yes, he made these shoes).
He has also been redesigning his Paris apartment for five years. “It’s not that I’m a perfectionist,” he says, before launching in a seven-minute anecdote about how precisely he’s made the builders redo the windows 3 x to obtain the angles right.
Most of all, he works: supervising the factories, having meetings worldwide and after that, twice a year, he will isolate himself in a of his four country houses (Egypt, Syria, France, Portugal) while he designs the latest collections.
Once we meet it’s the very first day of Paris fashion week, a prospect that does not suffuse his face with joy. “I never was considering being part of the style world – I really desired to design shoes. I didn’t know Vogue existed once i was being raised. Vogue, exactly what is that?” he protests.
Some time ago, Louboutin was offered the work of designer with a major fashion label, though he won’t say which. “And I Also really was almost offended,” he says, still sounding it. “After all, the shoe – you will find a music with it, there may be attitude, there exists sound, it’s a movement. Clothes – it’s another story. There are a million things I’d rather do before designing clothes: directing, landscaping. Designing clothes?” His face indicates his opinion of this.
Louboutin was born in 1963 and raised in Paris. His father was actually a carpenter along with his mother was “definitely not” an increased heel fan. His four sisters liked “cork wedges”, he remembers, without any fondness. “Just about the alternative of the things I actually do now.”
Yet his taste was established within his childhood. When Louboutin was 13, he and his friends would sneak out from school to see Le Palace, a Paris nightclub, but while his mates considered the girls on stage, he just considered their shoes. “A few of the shoes I make today will still be inspired by the Palace – the disco look, the metal, the glitter.”
He never went to fashion or design school and instead got his training doing work for, and others, Charles Jourdan, Chanel and Yves Saint Laurent. However, he had an unfortunate tendency to get fired: “It’s because I found myself a terrible assistant. An assistant should certainly assist – I always wanted to do my own, personal thing.”
He is adamant that he or she never had any career plan or ambition to have his company, that i don’t wholly buy. It is rather hard to have success without wanting it very badly, particularly in the fashion business, and Louboutin, for those his Gallic nonchalance, does have fun playing the game. He once chose to miss your flight back to Paris from America so he could spend two more hours in the shopping area autographing his shoes. “To my favourite hot housewife,” Time magazine 06dexipky he scrawled on one customer’s shoe.
Today, Louboutin footwear is known for 2 things: price and height. Some Louboutin high heels can easily cost $700 (£465); boots can go approximately $2,000 (£1,325) and a lot more. Nor are his the only ones: all designer shoes appear to have increased in price by no less than 50% over the last decade, which Louboutin blames in the euro – “Everything got more costly, even bread” – as opposed to designers simply jacking the prices when they realised everyone was prepared to pay them.
In addition to being from the vanguard of higher prices, louboutin australia can also be the main thing on higher heels, bringing stilettos directly into fashion, together with all the contradictions which come with them. Jennifer Lopez once told Harper’s Bazaar magazine that Louboutin’s shoes “kill you. But they’re the se-xiest shoes around.” How do immobility be se-xy?
At this point Louboutin starts referring to “the construction of the shoe” and “the direction in the weight” and all sorts of the normal noises people make when attemping to assert a high-heeled shoe might be comfortable. But the fact is, regardless of what the development, the girl is hoicked on her toes. The argument about regardless of whether high heels empower women is fruitless and, all things considered this period, a little tired. But even Louboutin seems stumped with the contradiction. As I inquire if comfort is really a aspect in designing his shoes, he ums and ahs a tad: “It is recommended since a woman doesn’t look great if she’s not comfortable. But I wouldn’t accept it as a compliment if a person checked out one of my shoes and said, ‘Oh, that looks like a comfortable shoe’,” he says with distinct scorn. When asked if there is this like a too-high heel, he replies, “You will discover a heel that is certainly too high to walk in, certainly. But who cares? You don’t need to walk in high heel shoes.”